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Yahoo! News <Drifter> Takumi Saitoh, about the episode with co-stars "I'm not talking about fermented foods (laughs)"

Takumi Saito tells an episode with a co-star

The Friday night drama "Drifter" (every Friday night 11: 15-0: 15, TV Asahi), created by Yasushi Akimoto with all his genius, madness, and talent, will be released on July 23 (Friday). Start. Before the start of the broadcast, Takumi Saitoh, who played the role of Hemingway, who is an unidentified drifter but who makes people fanatic with mysterious abilities and charisma, appeared on the instalive and also attended the press conference. [See the photo] Give off a unique aura! In Takumi Saitoh's instalive, which appeared with long hair, beard, and white clothes, he appeared in a set with a unique atmosphere such as temple-like pillars and mysterious pictures, in the form of a hemming way with long hair, beard, and white clothes. It's not a broadcast accident (laughs). Everyone, please get used to this figure of me as soon as possible. "Saito received many comments from viewers, such as" Long hair looks good "and" Cool! " rice field. When asked by the viewer, "Please tell us the episode with Mai Shiraishi, who plays the role of newspaper reporter Emi Shintani," "When Mr. Shiraishi comes to the scene, the air becomes clear and beautiful. It will change the air into a clear air like that, "said Saito. Then, Shiraishi himself, who was watching the concert, commented, "I will do my best as a person in charge of Okutama!" While the viewers who noticed this were overjoyed, Saito immediately returned "OKT (Okutama) (laughs)" and showed a breathtaking and exquisite conversation through the screen. Furthermore, when Saito began to introduce a set with a unique atmosphere like a mail-order program, "This pillar is 28,000 yen," Junki Tozuka, who plays the role of detective Kenta Noma, commented, "I will buy it!". Saito replied, "I will send an invoice to the office (laughs)", and the comment section was heated by the exchange of the cast members. ■ Saito: When asked by viewers, "Thank you for your intestines (laughs)" and "What kind of atmosphere is the shooting site?" Saito said, "Actually, I'm not talking about fermented foods with the cast members." Lol) ”and smiles bitterly. Saito, who is talking about the wonderfulness of fermented foods in the field, "I want you to keep your intestines cool" and "I put my hands on my stomach before going to bed and thank my intestines (laughs)", practice every day. He also revealed an episode about "intestinal activity".

There was one act that impressed the viewers with Saito, who has a high awareness of health, saying, "I'm just talking about this in the field." In the long-awaited "Screenshot Time", Saito shows a pose that holds the key to the drama. In addition, "The picture drawn unconsciously by Hemingway, who can be said to be a seeer, will be an important point in the future, so please remember," said the mysterious picture on the set and the tattoo on the ankle. It was released for the first time. Saito himself released the key points of the story ahead of time, and when expectations for the drama increased, he said, "I will be washed ashore on the day of the opening of the Tokyo Olympics. I think I was deceived. First of all, please see episode 1! ", Appealing the charm of the drama where the mystery calls a mystery, and the live distribution ended. At the boxing conference held after the Instagram distribution, "I had never experienced the flow of a press conference after the Instagram, so I felt the evolution of modern SNS, or the change of the times. The traditional form of people who just receive one-sidedly has evolved, and I strongly felt that there is an initiative in a positive sense for those who are watching, such as asking questions. " It seems that he enjoyed interacting with the viewers. This Instagram can be viewed in the archive of the program's official account until after the first broadcast. ■ Takumi Saitoh's full comment It was before Korona-ka that I was told about this drama. I think Yasushi Akimoto is a kind of seeer who can see the future, but I feel that what this drama suggests has become timely, and it seems like a horror-like surprise. I'm feeling something. Of course, it's an entertainment work, and I think it's the role of entertainment to be a breath of fresh air in difficult days, but now I feel like the meaning of this work was born. We will create entertainment with such inevitability, so I think that you can enjoy it if you can see it as my own thing while superimposing this work on the current situation. ――In the play, you will be raised like a guru, but if you can become that kind of existence, is there anything you would like to spread? I said a lot on Instagram earlier (laughs), but I learned that the intestines, not the brain, control consciousness, so I think it's the "intestine" teaching that "cherishes the intestines." .. Probably the mark of the intestine. A mark like a stored tube ... I'm really sorry, I'm in a state where I can't turn back a little (laughs). Recently, I've only been thinking about the intestines! I also think about your intestines more than you do (laughs).

――The first broadcast day is also the day of the opening ceremony of the Tokyo Olympics. What are your thoughts on the Olympics? Whether it's sports or entertainment, how you receive it has changed considerably for several years. Of course, the value of real-time (viewing) is increasing, but at the same time, I think we are moving into an era where we can enjoy ourselves at our own timing. Of course, it is our greatest happiness and reward to have you watch the channel according to the broadcast time, but I think that "discussion" is the most enjoyable way, especially for this work. It's a work that makes new discoveries by reviewing it, so it's not all about the broadcast time from 11:15 on Friday. I feel the same for the Olympics. I also want to enjoy the Olympics. ――In this work, where Yasushi Akimoto's world view is fully expanded, what you thought when you first read the script, and what you noticed and felt when you actually played the difficult role of Hemingway. Please tell us. The first thing I received was a plot, which was like a future projection, but it didn't show the place where the work itself was washed ashore. Unlike a movie, I thought that being involved in a work without knowing the ending would work positively. When the shooting starts, every time a new story arrives in print, there is a surprising element, "Lie !?"! What's more, it's not just for a transient and stimulating development, but it's also surprising that it has a very logical background. The impact of encountering the story every day is linked to playing a man who has no memory, so I would like to continue dancing in the palm of Mr. Akimoto.

――What would you like to predict if you actually had Hemingway? Now, the state of emergency is declared for the fourth time in Tokyo, flood damage has occurred in Atami, and the scars of the former earthquake have not healed yet. At the same time that Japan has many good points, I think it is also a country that is greatly damaged by natural disasters. It cannot be said that the same thing will not happen in the future, so I hope that many people will be saved by predicting such natural disasters. ――Did you have any consciousness or difficulty in performing the impactful visual that your hair is long and your beard is growing? When I was washed ashore, my nails were long, so when I operated my smartphone, it looked like "the ground plane of Miss Kyaba's nails" (laughs), and I sometimes thought that it would be faster to do it with my nose. At the initial stage, I thought that I should be as organic as possible, so there was such a bad effect in my personal life (laughs). ――Has your impression of Mai Shiraishi, who will be her first co-star, changed? Before I started shooting, the image of "white" was perfect, but now I've passed "white" to "semi-transparent". I feel that the air around Mr. Shiraishi is being purified. While I think it's difficult for me to be reflected on the screen for a long time ...!?, The fact that Mai Shiraishi plays Emi Shintani is there, which is very important both as a broadcast code and as an entertainment. I really wonder if it is. --Have you ever prepared to shoot a naked drifting scene? I decided to stop using artificial things as much as possible. As with food, I refrained from training with machines. When I do a handstand, I feel like I can understand not only my weight but also my physical condition, so I do a handstand after taking a bath. Because I'm out of the bath, I'm in a "undressed" handstand ... In that sense, I think that the days of doing a handstand in the same state as the appearance (drifting) of Hemingway are being utilized to some extent. Also, I heard that the butt can not be reflected firmly in the broadcast code now, but I managed to do "naked drifting" and realized it. The staff prepared seawater pants, but because the scene was crank-in, I wanted to convey my spirit as the leading role, and some of the people who discovered me who had drifted ashore. , I thought that it would be different for the play to react to the person who looks organic than the person who lay down in sea bread ... (laughs). However, because I was naked in the sea, I could not go up, and if I had become a part of the earth on the beach all the time, I had a valuable experience that marine life such as hermit crabs would enter the groove of the body. I received it.


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